SOURCE SLP1
SOURCE SLP1 is a manuscript by Patrick Misson, dated "May 16 / 72"
titled " Saundarya Lahari"
PAGES 1 TO 59 notes on various works of Kalidasa, etc., as well as on lessons the Guru was conducting simultaneously with those on the Saundarya Lahari. There are frequent cross references and analogies drawn between different texts.
CONTENTS
P1- V99, V1
P7- V7
P10- V15, V24, V25, V27
P12- V30, V31
P14- V100
P17- V32
P18- V34
P19- V35, V36
P20- V37, V14, V15, V16
P21- V36
P22- V37, V38, V39
P23- V7
P24- V33, V32
P25- Chakras from Saubhagya Lakshmi Upanishad
P30- Chakras from Yoga Raja Upanishad
P40- Main Themes of Saundarya Lahari
P45- V32
P46- V33, V32
P48- V32, V33
P49- Kalidasa's Malavikagnimitra
P52- V32
P53- V33
P55- V13, V14
P56- Malavikagnimitra
SLP1 - P1
VERSE 99
"Beautiful Body" - this comes from placing yourself at the O point.
Normalisation is two - sided.
"Beautiful Body" - this comes from placing yourself at the O point.
Normalisation is two - sided.
" Esprit Affiné" is numerator,
" Esprit Géomètrique" is denominator.
This is mentioned here because it denotes complete normalisation at the O point, where they benefit.
VERSE 1 The starting postulates are:
1) Shiva cannot pulsate without the Devi.
2) Brahma, Vishnu and Shiva worship the Devi.
3) The worshipper is outside the religious context.
On this all the 100 verses are built.
1) Shiva cannot pulsate without the Devi.
2) Brahma, Vishnu and Shiva worship the Devi.
3) The worshipper is outside the religious context.
On this all the 100 verses are built.
SLP1 - P2
There is a strict methodology in the Saundarya Lahari, as in
Descartes, where "Res Cogitans" is vertical and "Res Extensa" is horizontal.
Descartes, where "Res Cogitans" is vertical and "Res Extensa" is horizontal.
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Why do you want the Absolute?
The twentieth century is relativistic.
The normalisation of the relative and the Absolute is in the Saundarya Lahari.
"Long life" - everyone wants to live long.
Mukambika (the silent Devi) is normalised; the medium and the message meet :
this is protolinguism, this is the final paradox.
SLP1 - P3
Cancellation involves a vertical axis.
Complete cancellation is Absolute, there is no return.
In the Saundarya Lahari there are different grades of cancellation: the marital string, crowns, Indra, the most high God.
The final cancellation is the Vidyarthi, or Wisdom-seeker, asking for no relativistic pleasure, only for the gift of poetry or Vidya (wisdom).
Push cancellation beyond the upper and lower limits, push it beyond any horizontal taint.
Complete cancellation is Absolute, there is no return.
In the Saundarya Lahari there are different grades of cancellation: the marital string, crowns, Indra, the most high God.
The final cancellation is the Vidyarthi, or Wisdom-seeker, asking for no relativistic pleasure, only for the gift of poetry or Vidya (wisdom).
Push cancellation beyond the upper and lower limits, push it beyond any horizontal taint.
SLP1 - P4
The Vidyarthi does not seek even salvation, only the gift of poetry.
"Put Your feet on my head" - an analogy with this is that the Alpha point of one octave is the Omega point of a lower octave.
Burn the seed of rebirth, planted at the base of the vertebral column.
The nearest cancellation is of hunger and food - it is Absolute at a certain level.
"Put Your feet on my head" - an analogy with this is that the Alpha point of one octave is the Omega point of a lower octave.
Burn the seed of rebirth, planted at the base of the vertebral column.
The nearest cancellation is of hunger and food - it is Absolute at a certain level.
This is illustrated by the following example:
You faint at the dentist's:
You open your eyes :"who is this man?" this is Manas, (consciousness at a basic level)
below is Pranam (breath),
below is Annam (food)
below is Vijnanam:"I owe this dentist 5 rupees, I must run away".
You faint at the dentist's:
You open your eyes :"who is this man?" this is Manas, (consciousness at a basic level)
below is Pranam (breath),
below is Annam (food)
below is Vijnanam:"I owe this dentist 5 rupees, I must run away".
SLP1 - P5
Ahamkara (not in this series) is similar - it is ego- consciousness - slightly bad.
(This example is usually used by the Guru to illustrate Manas, Buddhi, Chitta, Ahamkara )
(This example is usually used by the Guru to illustrate Manas, Buddhi, Chitta, Ahamkara )
Each one of these four is a cancellation.
Food with hunger,
Fainting with drawing breath, etc.
Food with hunger,
Fainting with drawing breath, etc.
In mythical geography, above Manas Sarovar ("Mind-Lake") is the Sapta Rishi Mandala, where the seven Rishis pluck lotuses from Manas Sarovar and cast them upwards.
In Manas Sarovar, girls are bathing and painting their eyes in mica-rock mirrors.
In Manas Sarovar, girls are bathing and painting their eyes in mica-rock mirrors.
SLP1 - P6
"Extremely jealous" - jealousy is sometimes bad, but is also a sign of concern for the wife.
Parvati is the ultimate limit of constancy.
Shiva is extreme jealousy.
When these are cancelled, it gives you great delight and absolute beauty, nothing is left out.
ONE WHO CONTRADICTS HIS OWN NATURE GOES MAD.
MADNESS IS FALSEHOOD TO ONESELF.
Parvati is the ultimate limit of constancy.
Shiva is extreme jealousy.
When these are cancelled, it gives you great delight and absolute beauty, nothing is left out.
ONE WHO CONTRADICTS HIS OWN NATURE GOES MAD.
MADNESS IS FALSEHOOD TO ONESELF.
LSD is the denominator vision,
the Numerator vision is outside.
the Numerator vision is outside.
SLP1 - P7
There are 18 Kalas, nine visual, and nine auditory.
There are nine expressions - see VERSE 51
There are nine expressions - see VERSE 51
Tagore - art is when two lovers want to say "I love you" and cannot.
The poet, who is hiding in the bushes gives them expression for their sentiments.
The poet, who is hiding in the bushes gives them expression for their sentiments.
VERSE 7
Kvanat kanchi dhama....
Why are the breasts like the frontal bulges of a calf elephant?
How does the change from slimness to heavy breasts take place?
It is an ascending dynamism, not descending.
The purushikaa (positive version of the Devi)emerges because of the change to the fourth dimension.
Kvanat kanchi dhama....
Why are the breasts like the frontal bulges of a calf elephant?
How does the change from slimness to heavy breasts take place?
It is an ascending dynamism, not descending.
The purushikaa (positive version of the Devi)emerges because of the change to the fourth dimension.
SLP1 - P8
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SLP1 - P9
THE FOUR OBJECTS HELD BY THE DEVI IN VERSE 7: The goad and noose regulate vertical progression.
The sugar-cane bow and flower arrow are for piercing the hearts of people.
The bow and arrow are symbolic monomarks frequent in the Upanishads.
Occasionalism is the interaction and participation of mind and matter.
(see Descartes)
The sugar-cane bow and flower arrow are for piercing the hearts of people.
The bow and arrow are symbolic monomarks frequent in the Upanishads.
Occasionalism is the interaction and participation of mind and matter.
(see Descartes)
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A year is verticalized upwards.
Reciprocity - compensation - complementarity are all present.
Reciprocity - compensation - complementarity are all present.
SLP1 - P10
VERSE 15
Honey, milk and grapes - this is still a sensuous paradise.
"Worship even once" perhaps there is a very slight satirical touch here.
The matted hair is negative.
(John Stuart Mill - the principle of agreement and difference, Uha-Apoha in Sanskrit - see Jnana Darsanam in the Darsana Mala and the Science of the Absolute.
Honey, milk and grapes - this is still a sensuous paradise.
"Worship even once" perhaps there is a very slight satirical touch here.
The matted hair is negative.
(John Stuart Mill - the principle of agreement and difference, Uha-Apoha in Sanskrit - see Jnana Darsanam in the Darsana Mala and the Science of the Absolute.
SLP1 - P10
VERSE 24
Sadashiva (supreme Shiva) is the highest Omega point, but has to be cancelled against the Devi at the Alpha point.
Sadashiva (supreme Shiva) is the highest Omega point, but has to be cancelled against the Devi at the Alpha point.
VERSE 25
There is a footstool, not a throne here, it is ontological.
It is jewelled, which confers dignity on it.
This is the cancellation between hierophany and hypostasy.
See in the Gita, there is a tree with roots below and above.
The twin feet are above, the stool is below.
There is a footstool, not a throne here, it is ontological.
It is jewelled, which confers dignity on it.
This is the cancellation between hierophany and hypostasy.
See in the Gita, there is a tree with roots below and above.
The twin feet are above, the stool is below.
VERSE 27
These are ensembles - see Cantor.
There is one-one correspondence.
These are ensembles - see Cantor.
There is one-one correspondence.
SLP1 - P12
PROBLEMS THAT NEED EXPLANATION:
1) The wife is kicking Shiva
2) Eros mocks Shiva
3) Her behind is cancelled
4) She is teaching cygnets how to walk (see Kovillan and Kannegi)
(Sillipadhikaranam - gem-set anklets.)
5) A three-wheeled and a four-wheeled chariot.
- Shiva is mounted on a chariot, with the earth as the front wheel
6) What is Shiva's status without the Devi?
7) What is the difference between Subrahmanya and Ganesha?
1) The wife is kicking Shiva
2) Eros mocks Shiva
3) Her behind is cancelled
4) She is teaching cygnets how to walk (see Kovillan and Kannegi)
(Sillipadhikaranam - gem-set anklets.)
5) A three-wheeled and a four-wheeled chariot.
- Shiva is mounted on a chariot, with the earth as the front wheel
6) What is Shiva's status without the Devi?
7) What is the difference between Subrahmanya and Ganesha?
VERSE 30 AND 31
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Sankara rejects benefits, his position is "Tat tvam asi"- "You are that (the Absolute)" .
Puja (worship)can be done to Sankara himself, because there is an inter-physical and trans-subjective transformation.
She imitates the "jhang" sound of the anklets with Her voice: this is Numerator.
The medium is the message.
Puja (worship)can be done to Sankara himself, because there is an inter-physical and trans-subjective transformation.
She imitates the "jhang" sound of the anklets with Her voice: this is Numerator.
The medium is the message.
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SLP1 - P14
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THERE ARE THREE LEVELS OF WORSHIP: These are three grades of spirituality:
1) Doomsday dissolution
2) Shiva confers Siddhis (psychic powers)
3) The Devi confers Anima (psychic power)
1) Doomsday dissolution
2) Shiva confers Siddhis (psychic powers)
3) The Devi confers Anima (psychic power)
VERSE 100
Moonstone water has an upward effect as well as a downward one.
Ramanuja's Brahma Sutra Bhasya (commentary) says that you can sprinkle fire as well as water : similarly here.
Water in the moon? The moon is feminine and can also be called watery.
Moonstone water has an upward effect as well as a downward one.
Ramanuja's Brahma Sutra Bhasya (commentary) says that you can sprinkle fire as well as water : similarly here.
Water in the moon? The moon is feminine and can also be called watery.
SLP1 - P15
Tantra is centred on Maithuna Maha Bhogya.(great sexual enjoyment):
here this is treated as athilagu or worthless.
The Saundarya Lahari supplies a Numerator:
Sun and moon are her twin breasts.
Ramakrishna learnt his Vedanta from a Sudra Sannyasin (low caste ascetic).
One should exercise common sense and also have a willingness to believe;
one should be between the two, an attitude of "Maybe, maybe not".
here this is treated as athilagu or worthless.
The Saundarya Lahari supplies a Numerator:
Sun and moon are her twin breasts.
Ramakrishna learnt his Vedanta from a Sudra Sannyasin (low caste ascetic).
One should exercise common sense and also have a willingness to believe;
one should be between the two, an attitude of "Maybe, maybe not".
SLP1 - P16
Separate a parameter from the phenomenal world
Separate Shiva from Shakti.
The 64 know-how factors - the Shaktyas talk of 64 Mahanirvanatantras.
Note that 64 is 8 times 8
There are books in various libraries that claim to be teachings of Shiva to Parvati.
Separate Shiva from Shakti.
The 64 know-how factors - the Shaktyas talk of 64 Mahanirvanatantras.
Note that 64 is 8 times 8
There are books in various libraries that claim to be teachings of Shiva to Parvati.
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There are 64 degrees in the quaternion.
The Sri Chakra has 8 and 16 petals.
The Sri Chakra has 8 and 16 petals.
SLP1 - P17
VERSE 32
A God can be represented by a letter or a mantra.
The Goddess is the totality of the Absolute.
What you ask for, you receive.
There are heart monomarks : all of them meet in the heart.
A God can be represented by a letter or a mantra.
The Goddess is the totality of the Absolute.
What you ask for, you receive.
There are heart monomarks : all of them meet in the heart.
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VERSE 32
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A Brahmin is offering ghee oblations into a sacred fire;
Each drop of ghee is a bead.
Each drop of ghee is a bead.
SL P1 - P18
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VERSE 34
The Goddess confers on Herself hypostatic status and cancels Herself against Shiva.
The hypostatic side is "sinless".
At the other side of this is double negation.
The Goddess confers on Herself hypostatic status and cancels Herself against Shiva.
The hypostatic side is "sinless".
At the other side of this is double negation.
SLP1 - P19
VERSE 35
She becomes the wife of Shiva, She returns from being a great Goddess to the first dimension as a humble wife.
(In Kalidasa's play, the perivrajika says the Queen will win - how does she know in advance?)
She becomes the wife of Shiva, She returns from being a great Goddess to the first dimension as a humble wife.
(In Kalidasa's play, the perivrajika says the Queen will win - how does she know in advance?)
VERSE 36
"Sun and moon"
There is a parallelogram of forces - the result is equilibrium all the same.
"Sun and moon"
There is a parallelogram of forces - the result is equilibrium all the same.
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The Ajna Chakra has the moon also.
Ajna is lifted out of dross and impurity.
Ajna is lifted out of dross and impurity.
SLP1 - P20
VERSE 37
Visuddhi Chakra - the cancellation takes place inside a female partridge.
Visuddhi Chakra - the cancellation takes place inside a female partridge.
VERSE 14
365 days are arranged vertically
365 days are arranged vertically
VERSE 15
Cancellation of the medium and the message to make poetry.
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One who can think of Saraswati in a very real sense, with matted hair,
can produce poetry with the Numerator equivalent of honey, milk and grapes.
can produce poetry with the Numerator equivalent of honey, milk and grapes.
VERSE 16
Eroticism gives poetry.
Eroticism gives poetry.
SLP1 - P21
VERSE 36
Fuse the sun and moon. "Millions" means intensity of light; beyond a certain point, quantity turns into quality.
Fuse the sun and moon. "Millions" means intensity of light; beyond a certain point, quantity turns into quality.
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SLP1 - P22
VERSE 37
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The partridge is female because the female is more negative than the male.
The cancellation here is closer together than in the previous verse.
The moonlight is subjectivised by the female partridge.
The cancellation here is closer together than in the previous verse.
The moonlight is subjectivised by the female partridge.
VERSE 38
Horizontal cancellation of the two swans - central
Horizontal cancellation of the two swans - central
VERSE 39
Suffering is cancelled by the breeze, like a drop of water on a wound.
A coincidence is an approval from God.
Suffering is cancelled by the breeze, like a drop of water on a wound.
A coincidence is an approval from God.
SLP1- P23
VERSE 7
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SLP1 - P23
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SLP1 - P24
A CHAKRA - "A WHEEL"- IS TELEOLOGICAL,
AN ADHARA IS ONTOLOGICAL.
AN ADHARA IS ONTOLOGICAL.
VERSE 33
Laksmi and Eros are on the numerator side.
Wealth (Lakshmi)
Source
Eros
Laksmi and Eros are on the numerator side.
Wealth (Lakshmi)
Source
Eros
VERSE 32
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SLP1 - P25
LIST OF CHAKRAS FROM SAUBHAGYA LAKSHMI UPANISHAD.
1) Brahma - root of basic desires
2) Swadhisthana - six petalled, west facing phallus
3) Nabhi (navel) - crore of suns and lightning
4 )The Heart - eight petals facing downwards phallus at centre
(common to all these chakras (?))
5) Throat - Anahata, Ida and Pingala
6) Palate - tenth opening - void - the mind dissolves
7) Ajna
8) Brahma Randra - the wheel of Nirvana
- an opening shaped like a thread of smoke
9) The Wheel of space - a lotus of sixteen petals, facing upwards
2) Swadhisthana - six petalled, west facing phallus
3) Nabhi (navel) - crore of suns and lightning
4 )The Heart - eight petals facing downwards phallus at centre
(common to all these chakras (?))
5) Throat - Anahata, Ida and Pingala
6) Palate - tenth opening - void - the mind dissolves
7) Ajna
8) Brahma Randra - the wheel of Nirvana
- an opening shaped like a thread of smoke
9) The Wheel of space - a lotus of sixteen petals, facing upwards
SLP1 - P26
LIST OF CHAKRAS ACCORDING TO THE YOGA RAJA UPANISHAD.
1) Brahma Chakra
2) Swadhisthana Chakra
3) Nabhi Chakra (navel)
4) Hridaya Chakra (heart)
5) Kantha Chakra (neck)
6) Taluka Chakra (soft palate)
7) Bhru Chakra (between eyes)
8) Brahma Randhra (absolute hole)
9) Vyoma Chakra (sky-generating)
1) Brahma Chakra
2) Swadhisthana Chakra
3) Nabhi Chakra (navel)
4) Hridaya Chakra (heart)
5) Kantha Chakra (neck)
6) Taluka Chakra (soft palate)
7) Bhru Chakra (between eyes)
8) Brahma Randhra (absolute hole)
9) Vyoma Chakra (sky-generating)
SLP1 - P27
Sankara is not following the usual lines of Tantric or Yogic texts.
There are four Yogas in the Yoga Raja Upanishad:
Mantra Yoga - Samadhika
Laya Yoga - Meditation
Raja Yoga - Breath
Hatha Yoga - Seat
Mantra Yoga - Samadhika
Laya Yoga - Meditation
Raja Yoga - Breath
Hatha Yoga - Seat
(Raja, literally "royal", means "public": "Raja Margam" means "public highway".
SLP1 - P28
THE SRI CHAKRA:
Nine months of pregnancy.
Penis and vagina: it is vulgar to say that one is more important than the other.
(This refers to the nine ascending and descending triangles in the Sri Chakra)
Nine months of pregnancy.
Penis and vagina: it is vulgar to say that one is more important than the other.
(This refers to the nine ascending and descending triangles in the Sri Chakra)
SLP1 - P29
SAUBHAGYA LAKSHMI UPANISHAD
DESCRIPTION OF THE CHAKRAS
1) Wheel of Space - 16 petal lotus facing upwards - pericarp in
the middle like triple peaks - centre of eyebrows.
Instrument and fulfilment of all desires
2) Brahma orifice - wheel of Niravana, opening like a thread of
smoke - a seat of meshes - yielder of release - wheel of
Supreme Brahma
3) Brow - size of thumb - eye of tongue - skull root - power
of words
4) Palate - immortal elixir - tiny bell of the uvula - meditate
on the void
5) Throat - breadth of four fingers - left, Ida; right, pingala -
centre Susumna, clear of colour - Anahata, the unstruck note
6) Wheel of the heart - eight petals facing below - in the
centre, a phallus of light - a swan beloved of all - enchants
all the worlds
7) Navel - wide whirlpool - crooked like a serpent - serpent
power like a crore of suns - lightning - yields perfections -
called Manipura
8) Swadhisthana - six petals - centre is west facing phallus -
resembles a sprout of coral - seat of the girdle - power to
attract the world
9) Basic Wheel ( of Brahman) - threefold circle of waves - seat
of desires - fire
the middle like triple peaks - centre of eyebrows.
Instrument and fulfilment of all desires
2) Brahma orifice - wheel of Niravana, opening like a thread of
smoke - a seat of meshes - yielder of release - wheel of
Supreme Brahma
3) Brow - size of thumb - eye of tongue - skull root - power
of words
4) Palate - immortal elixir - tiny bell of the uvula - meditate
on the void
5) Throat - breadth of four fingers - left, Ida; right, pingala -
centre Susumna, clear of colour - Anahata, the unstruck note
6) Wheel of the heart - eight petals facing below - in the
centre, a phallus of light - a swan beloved of all - enchants
all the worlds
7) Navel - wide whirlpool - crooked like a serpent - serpent
power like a crore of suns - lightning - yields perfections -
called Manipura
8) Swadhisthana - six petals - centre is west facing phallus -
resembles a sprout of coral - seat of the girdle - power to
attract the world
9) Basic Wheel ( of Brahman) - threefold circle of waves - seat
of desires - fire
SLP1 - P30
YOGA RAJA UPANISHAD
DESCRIPTION OF THE CHAKRAS
1) Vyoma Chakra (sky) 16 petals - feminine principle of knowledge
2) Brahma Randra (hole) - gives Nirvana - thin thread of smoke -
watery-blue consciousness
3) Eyebrows - Bindhusthana - yields light
4) Uvula - Ida - Pingala
5) Neck
6) Heart
7) Navel
8) Swadhisthana
9) Brahma Chakra
BOTH UPANISHADS USE THE SAME CHAKRAS,
BUT ONE IN THE NAME OF A MALE GOD,
THE OTHER IN THE NAME OF A FEMALE.
BUT ONE IN THE NAME OF A MALE GOD,
THE OTHER IN THE NAME OF A FEMALE.
SLP1 - P32
VERSE 61
Nose ridge, flagstaff and tree.
Mixing Numerator and Denominator.
Flagstaff = reputation.
Is this the source of the Chakras? (nodes in the bamboo flagstaff)
Nose ridge, flagstaff and tree.
Mixing Numerator and Denominator.
Flagstaff = reputation.
Is this the source of the Chakras? (nodes in the bamboo flagstaff)
VERSE 9
Sahasrara, or 1000 petalled lotus.
Sahasrara, or 1000 petalled lotus.
VERSE 10
Kulakunda.
Kulakunda.
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These two, the Sahasrara and the Kulakunda, are mentioned in other parts of this work.
V9 - Sahasrara
V36 - Ajna
V37 - Visuddhi
V38 - Twin Swans
V39 - Swadhisthana
V40 - Manipura
V41 - Muladhara
V10 - Kulakunda
V11 - Sri Chakra - not included in the series
V36 - Ajna
V37 - Visuddhi
V38 - Twin Swans
V39 - Swadhisthana
V40 - Manipura
V41 - Muladhara
V10 - Kulakunda
V11 - Sri Chakra - not included in the series
TRAGEDY IS THE AESTHETIC VALUE OF PITY.
SLP1 - P34
Tragic and Absolutist are the same.
But the Sri Chakra is not tragic, it is an analysis.
But the Sri Chakra is not tragic, it is an analysis.
Brahma Chakra is a black hole
Brahma Randra is a white hole
Brahma Randra is a white hole
SLP1 - P35
Beauty is made up of line, light and colour.
The Brahma Chakra and the Brahma Randra are omitted
- they are mathematical and not emotional.
If you have the correct focus, you do not see anything
- it must be a little over- or under-focused.
The Brahma Chakra and the Brahma Randra are omitted
- they are mathematical and not emotional.
If you have the correct focus, you do not see anything
- it must be a little over- or under-focused.
Objectivity and Subjectivity must be adjusted.
Cancellation means only "Tat Tvam Asi" ("thou art that" (the Absolute)
- which means you cannot see anything.
Cancellation means only "Tat Tvam Asi" ("thou art that" (the Absolute)
- which means you cannot see anything.
SLP1 - P36
Brahma Randra - the "smoke" is a touch of negativity.
There is a slight asymmetry between the Saubhagya Lakshmi and the Yoga Raja Upanishads - as between male and female.
Sankara will not allow this slight asymmetry.
The Chakras are different.
There are slight asymmetries from the neutral point.
There is a slight asymmetry between the Saubhagya Lakshmi and the Yoga Raja Upanishads - as between male and female.
Sankara will not allow this slight asymmetry.
The Chakras are different.
There are slight asymmetries from the neutral point.
SLP1 - P37
Anahata - the two swans mean an undisturbed neutral position.
Ajna Chakra -
Visuddhi is slightly subdued.
Swadhisthana - sisira - means a cool morning breeze.
The Chakras are different from Platonic Idealism.
Ajna Chakra -
Visuddhi is slightly subdued.
Swadhisthana - sisira - means a cool morning breeze.
The Chakras are different from Platonic Idealism.
SLP1 - P38
VERSE 65
Subrahmanya refuses Camphor - negative.
Chewing = fighting.
Chewing = fighting.
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VERSE 71
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SLP1 P39
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SLP1 - P40
MAIN THEMES IN THE SAUNDARYA LAHARI
Cliché
Ideogram
Hieroglyphic
Iconography
Protolanguage - Metalanguage
Medium - Message
Semantics - Semiotics - Syntactics.
Connotation - Denotation
Metaphor - Simile - Synecdoche
Monomarks
Algebra of Geometry
Geometry of Algebra
Graphs and equations
Mantra - Yantra - Tantra
Cliché
Ideogram
Hieroglyphic
Iconography
Protolanguage - Metalanguage
Medium - Message
Semantics - Semiotics - Syntactics.
Connotation - Denotation
Metaphor - Simile - Synecdoche
Monomarks
Algebra of Geometry
Geometry of Algebra
Graphs and equations
Mantra - Yantra - Tantra
SLP1 - P41
THE MALAVIKAGNIMITRA OF KALIDASA
Malavikagnimitra - her foot touches the lotus - Cancellation.
different kind of merit?
Why does the dancing master not thank Q for the compliment?
It is horizontal, he only dances, and he does not require a compliment.
The Brahmin's tricks are part of the consciousness of the Absolute
- he is the cleverest person in the play.
The king says that there is a vertical relationship between himself and Malavika. She touches her body. The bracelet has passed from him to her - the relationship is firmly established but vertical.
Malavikagnimitra - her foot touches the lotus - Cancellation.
different kind of merit?
Why does the dancing master not thank Q for the compliment?
It is horizontal, he only dances, and he does not require a compliment.
The Brahmin's tricks are part of the consciousness of the Absolute
- he is the cleverest person in the play.
The king says that there is a vertical relationship between himself and Malavika. She touches her body. The bracelet has passed from him to her - the relationship is firmly established but vertical.
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SLP1 - P42
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SLP1 - P43
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Diluting the digestive juices and wasting them is also a crime.
SLP1 - P44
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STRUCTURE SLP1-P44B
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STRUCTURE SLP1-44C
SLP1 - P45
SAUNDARYA LAHARI
VERSE 32
1) Ka E I La Hrim
2) Ha Sa Ka Ha La Hrim
3) Sa Ka La Hrim
1) Ka E I La Hrim
2) Ha Sa Ka Ha La Hrim
3) Sa Ka La Hrim
Ka is Kama
Ha is Hara
Hrim is the heart
After each series, the Hrileka (Hrim)is attached , making three garlands.
Ha is Hara
Hrim is the heart
After each series, the Hrileka (Hrim)is attached , making three garlands.
SLP1 - P46
VERSE 33
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VERSE 32
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SLP1 - P47
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Ananda - Axiology
Chit - Methodology
Sat - Epistemology
Chit - Methodology
Sat - Epistemology
SLP1 - P48
VERSES 32 and 33
Nama Vayanata - give name to the Goddess, Mantra, Light-waving.
Maha Bhoga Rasikaa - enjoyment - Lakshmi, Yoni, Eros.
Maha Bhoga Rasikaa - enjoyment - Lakshmi, Yoni, Eros.
SLP1 - P49
VERSE 15
Saraswati with her matted hair is equated with sensuous honey, milk and grapes. Possibly there is a slight mockery of the Brahmins here.
Absolutism rejects all benefits.
Brahministic worship is rejected.
Saraswati with her matted hair is equated with sensuous honey, milk and grapes. Possibly there is a slight mockery of the Brahmins here.
Absolutism rejects all benefits.
Brahministic worship is rejected.
MALAVIKAGNIMITRA
Act 3
Act 3
Sorrow is felt because he is not in the fourth dimension.
If you enter the fourth dimension, sorrow goes away.
If you enter the fourth dimension, sorrow goes away.
SLP1 - P50
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Eros causes attraction towards the negative side,
but you feel you want to meet the girl on the positive side.
but you feel you want to meet the girl on the positive side.
SLP1 - P51
The arrow makes you feel that you want something on the positive side.
The only way is to put yourself on the negative side
and say that you do not want her.
Both soft and hard at once.
A flower, seemingly harmless, gives rise to an ache.
The real paradox is that you seek her on the plus side, and she is on the minus side.
The only way is to put yourself on the negative side
and say that you do not want her.
Both soft and hard at once.
A flower, seemingly harmless, gives rise to an ache.
The real paradox is that you seek her on the plus side, and she is on the minus side.
SLP1 - P52
VERSE 32
The Kaulists are non Brahmins.
"Naming Her component limbs..."
The Kaulists are non Brahmins.
"Naming Her component limbs..."
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SLP1 - P53
VERSE 33
The Samayins are Brahmins
"Seekers adore you..."
"Seekers adore you..."
SLP1 - P53
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Maha Bhoga (great enjoyment) gives an absolute dimension to Bhoga (enjoyment).
SLP1 - P54
CHAKRAS:
Sankara does not exactly conform to the Saubhagya Lakshmi or Yoga Raja Upanishads, because he wants to keep close to the actual - that is, the seasons etc.
Sankara does not exactly conform to the Saubhagya Lakshmi or Yoga Raja Upanishads, because he wants to keep close to the actual - that is, the seasons etc.
SLP1 - P55
VERSE 13
Girls pursuing an old man - the belt is the binding force of modesty.
There are binding forces at different levels.
Girls pursuing an old man - the belt is the binding force of modesty.
There are binding forces at different levels.
VERSE 14
"56 for earth..." etc. there are six levels, with the seventh level at the twin feet.
Above and below are the Brahma Chakra and the Brahma Randra, these make nine.
"56 for earth..." etc. there are six levels, with the seventh level at the twin feet.
Above and below are the Brahma Chakra and the Brahma Randra, these make nine.
SLP1 - P56
MALAVIKAGNIMITRA
ACT 3
The king only now begins to see her, before it was an infatuation only in the mind.
This type of feminine beauty with broad hips and slender waist is like the Sri Chakra - it is only abstraction through highly exaggerated language.
ACT 3
The king only now begins to see her, before it was an infatuation only in the mind.
This type of feminine beauty with broad hips and slender waist is like the Sri Chakra - it is only abstraction through highly exaggerated language.
Vertical maturation is Shiva -He drinks poison and survives.
Horizontal maturation is like a ripening fruit.
Horizontal maturation is like a ripening fruit.
SLP1 - P57
The Malaya (mountain) breeze, laden with pollen and water,
causes longing without reason - cause and effect combined
sat - asat: means existent - non existent,
anirvachaniya: means unpredicability
causes longing without reason - cause and effect combined
sat - asat: means existent - non existent,
anirvachaniya: means unpredicability
Pollen is masculine
Water is feminine
Together they cause fecundation.
Water is feminine
Together they cause fecundation.
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SLP1 - P59
VERSE 41
The Tandava and the Lasya of Samaya.